Tag: Graphic Design

16
Jan

Laura Campbell | Design Highlights 2017

Last week we were delighted to kick off our series in celebrating the achievements of our creative team in 2017. We started with Reiss McLeod and this week we are delighted to be taking a look back at the exceptional work of his ‘partner-in-crime’ Laura Campbell.

Laura Campbell, a graduate of ‘Gray’s School of Art’ in Aberdeen, joined our team in March 2017 and what an incredible year she has had. Laura quickly became a go-too person for creative ideas, managing the ever-intricate print process and finally adding some much-needed video to the loft’s social media presence. Such was her deftness with social media that the young lady, we once thought was quiet, became our ‘Director of Noise.’ A role she has led with absolute distinction since.

Laura is multi-talented – a person who is comfortable at all stages of the design process, a keen developer/illustrator and somebody who the clients often rave about, she is one of the most trusted members of our team and is also great fun to be around too.

These are Laura Campbell’ highlights of 2017.

Tradeprint

1. Tradeprint ‘People Behind The Print’

One of Laura’s biggest successes of 2017 was her fantastic work on the ‘People Behind Print’ campaign for Tradeprint. Tradeprint is one of the country’s largest providers of online print where their team helps large companies, organisations and agencies with their printing requirements. They have incredible geographical reach, an extremely wide variety of products and most importantly their print coaches – Laura very skilfully acknowledged the value of the ‘print coaches’ in a commoditised market flooded with competition.

She built on this by creating a range of beautiful concepts with the print coaches being at the heart of the campaign, they were captured with simple portraits, expressive poses and then some beautifully creative mixed-media collages using Tradeprints own stock. The concepts were all Laura’s while working with Tradeprint brand Director James Barrett Bunnage and photographer Malcolm Cochrane on a range of materials spanning print advertisements, social media posts and beautiful landing page micro-sites. One for each of the print coaches. Top work indeed…

VRU Scotland

2. VRU Scotland ‘Street & Arrow’ Display Stand

Laura, with her cohort Reiss, played a pivotal part in the development of this unique and very special display-stand created for VRU Scotland’s ‘Street & Arrow.’ ‘Street & Arrow’ is a programme led by The Violence Reduction Unit to help people make the transition from leading lives of crime back into employment. As part of a wider creative project and the opportunity to do something different for a trade show, Laura captured the chance to bring this incredibly interesting piece of work to life. Created in record-quick time, you will see the transition of the individual from criminal to worker in the artwork, the spray-painting of the characters carefully produced on actual chipboard and Reiss and Laura celebrating a remarkable day’s work. All carried out from the warehouse of a good friend. Not your typical trade-show stand. Not your typical day at the studio but a wonderful result.

Scottish Leather Group

3. Scottish Leather Group Sustainability Report 2017

This was the second Sustainability Report we created for Scottish Leather Group after a successful 2016. The team were asked to take the concept of sustainability forward and Laura duly obliged. Her concept of ‘using less ink’ with the text, graphics and mainly the images of the brochure was seen as very fitting for a document celebrating some remarkable achievements by the company regarding its sustainability. The image of leather off-cuts on the brochure shows this concept to beautiful effect – once again with the exceptional photography of Malcolm Cochrane.

Geckotech Calendar

4. Geckotech Calendar

One of Laura’s biggest achievements of 2017 was the design of the 2018 Geckotech Calendar. Geckotech Solutions are a company which supplies clients with access engineering solutions including industrial rope access, confined space entry and the installation of temporary working platforms. She worked closely with Nancy Pearson from Geckotech Solutions and Ruth McFarlane of Exactaprint where she selected the most eye-catching images available, sensitively developed them with a ‘Black & White’ theme with very dramatic orange accents and once again managed a very intricate print process. The final calendars were wonderfully received by the client, their clients and all involved. Yet another exceptional outcome for our Laura.

Research Scotland Infographics

5. Research Scotland Report on the 14:19 Fund

Infographics have been round a long-time, starting with everything from the pie and bar charts used in office packages on original PCs, they became more widely popular in recent years to tell longer, more complicated and intricate stories in an easier, friendlier and more digestible way. They are seen everywhere today from business plans to product instructions to the communication of complicated financial information. At the loft we have been very much at the heart of the development of the infographic and how they are evolving, particularly with motion graphics. Laura took the original infographic concept and gave it a new lease of life with the combination of high-impact visual photography to create images of tremendous effect. The infographics Laura created for Research Scotland’s reporting of ‘Inspiring Scotland’s 14:19 Fund’ are some of the freshest and most exciting that we’ve seen and been involved in a long time.

It’s safe to say that it’s been an absolutely incredible year for Laura and we could easily have created another week’s worth of materials.

Looking forward to seeing what she creates in 2018!

08
Jan

Reiss McLeod | Design Highlights 2017

2017 was a big year for Reiss. After a summer internship and a year of working part-time, Reiss became a full-time member of the loft team once he finished his studies in July. Anybody that knows Reiss knows he is an incredibly talented guy with exceptional basic skills, an uncanny ability to generate ideas out of no-where and he’s a great wordsmith too. His puns are quite the thing of legend in the studio.

As expected Reiss eased into his new role and quickly became a pivotal part of the team adding the role of ‘Director of Client Happiness’ to his design responsibilities. Already an exceptional creative-thinker and problem solver, he added some real weight to his development skills throughout the year culminating in several exceptional pieces of creative work which we’d love to celebrate.

Although we always work as a team at the loft, we wanted to take a moment to value individual contributions to creative projects and Reiss really delivered tremendously in 2017, these were some of his highlights.

CashBack_HD-PNG

1. Cashback Infographic for Inspiring Scotland

Quite possibly the highlight of the year for Reiss was his interpretation of the positive information for ‘Cashback for Communities’ for Inspiring Scotland. The programme involves taking the proceeds of crime and re-investing it back into local communities for young people — £20,000,000 has been re-invested into improving life opportunities since 2014. The programme is led by the Scottish Government alongside Inspiring Scotland and Reiss took an incredibly large amount of information and alongside his cohort Laura developed a beautiful illustration-infographic hybrid depicting a wonderful tale of the programme. The interpretation of the individual mini-stories where Cashback has made a difference in the community is a real highlight. The infographic has been such a success that it adorns the walls of the offices at Inspiring Scotland as well as The Scottish Government.

SOCEX - Financial Crime Conference

2. SOCEX Financial Crime Conference Brochure

The loft has worked with the event organisers for The Serious & Organised Crime Exchange (SOCEX) since 2015 and have since created a number of set-piece conference brochures. Reiss took the lead with the latest instalment — The 2017 Financial Crime Conference in November. Reiss built on the visual frameworks of previous brochures but where his creativity really shone through is with the imaginative, purposeful and almost iconic design of the front cover which cleverly shows two people exchanging ideas – ideas that are all emblematic of themes being dealt with by the conference. A beautiful, abstract and fitting depiction for the newly formed financial conference. We can’t wait for the 2018 events…

Arcman-Making Christmas Campaign

3. Arcman Winter Campaign Image

Our Reiss is an accomplished wordsmith and real creative thinker. Never was this more beautifully brought to life than with his campaign image and advert for the winter edition of print magazine ‘Urban Realm.’  Building on the Christmas theme – Reiss cleverly realised that the ad created for Arcman was going to be seen just as much in January as December so beautifully saw past the obvious Christmas theme and instead brought the sentiment of ‘getting back to wor’k to life. A Christmas calendar with the various services of Arcman as windows remain in place but are all secondary to those strong words ‘The Holidays are over. Let’s Get To Work.”  In-keeping with the company values and a real success.

Client Top 5 FAQs

4. Introducing ‘the pigs’

Reiss has an absolutely wonderful imagination and a real ability to creatively communicate information. Part of his role as ‘Director of Client Happiness’ is to share best-practices with others in the team. His creative ability was on full-display when he introduced a series of odd-looking creatures to us as his way to demonstrate his ideas for ‘Client Happiness.’ These little creatures which we affectionately christened ‘the pigs’ have since found their way into many parts of the loft’s brand presentation in 2017.

Arcman-Making Metal Work

5. ‘MAKING METAL WORK’ for Arcman

Once again Arcman were looking for a series of print ads for the Urban Realm annual, something which would demonstrate the high-energy nature of their service, commitment to clients and desire for excellence. Reiss came up with a rather simple concept but one which really shone. He mixed the excellent photography of Malcolm Cochrane with an exceptionally well-selected typeface to bring the vibrancy of the Arcman message to life for print, digital and everything in between… The campaign advert was so widely liked by the company founder Jamie Doak that it proudly adorns his I-Phone and is mounted on the front of the Arcman workshops.

Reiss was a huge part of the loft’s success in 2017 and we can’t wait to see what ideas, graphics and even puns he has up his sleeve for 2018.

 

27
Oct

Clients: A How-To Guide (Part 6: Building Relationships)

Clients How To Guide

We’re not just talking about secret handshakes here — having a sustainable relationship with a client solidifies the aspect of trust and results in many more seamless projects.

Here are some top tips to going the extra mile…

  • Memory Game — Note any interesting points about the client that you can bring up in conversation, i.e. they have mentioned that they are hiring within the company, ask how the hiring process is going and show that you are genuinely interested in their business. Remember names; we will be interacting with many different clients so knowing exactly who you will be speaking to may seem like common sense, but it is something that can have a big effect on client confidence in yourself and the team.
  • Make An Appearance — Jump at the chance to meet the client face to face. The difference this makes to the relationship is big, clients will feel much more comfortable talking to you in the future after your first encounter.
  • Match Their Energy — Are they excited? Copy this behaviour, and then some; if a client is excited about a project, match their excitement, plus 1. This goes for if they are quieter too; don’t bounce around the room with excitement if the client is more introverted — match their tone of voice plus 1 in order to build trust and rapport.
  • Our Business — Treat their business as your own; learn about the product/service beforehand and show a genuine interest in what they do. Not only will this bring your passion forward for the client to see, but it makes it easier to work on a project you have an interest in.

Remember that when it comes to relationships, it takes two to tango.

Now that we’re done scratching one another’s backs, we’re well on our way to working harmoniously with our clients. What a journey! Try to remember these little tips and your passion for graphic design will shine through in every project you star in.

It’s been a pleasure,

Client How To Guide

Reiss, Designer & Director of Client Happiness.

staff_170502_0542

Reiss is a multi-purpose designer with a broad range of skill-sets.
He loves being a part of any creative activity — whether it’s mapping out a user experience, getting his hands dirty with some copy or even re-building bits of his motorbike.
A born people-person, Reiss is never happier when showcasing ideas from his vividly wild imagination and working with clients to see them through to completion. Once an architect, he has a keen eye for conceptual ideas and never tires of learning new things.
13
Oct

Clients: A How-To Guide (Part 4: Communications)

Clients How To Guide

Lack of communication is a big no-no. Having clear communication channels with your client’s ensures that both parties are heading in the right direction.

Here are some top tips to keeping in contact…

Emails

  • Make it very clear what your intentions are in the email; clarity is key to communication.
  • Always summarise and reiterate what a client is looking for.
  • Triple check spelling; especially when it comes to names/subject.
  • Communicate in a professional manner, but do not shy away from expressing your excitement on projects and work.

Phonecalls

  • A lot of clients are comfortable speaking over the phone, it adds a more human element and the clients are more likely to express their true opinions in this form of communication.
  • Phone calls are for less formal/time constrained situations — emails give you important information that is written in text that we can refer back to.
  • If the client has made a lot of points, it can be very helpful to send them a summarised email of the conversation via email after the conversation
    for clarification.

So let’s be sensible when sending emails or answering the phone; make it so that your granny could understand you. You never know, she might be your next client…

Next week we will be looking going the extra mile, adding that cherry on top design sundae.

Reiss, Designer & Director of Client Happiness.

staff_170502_0542

Reiss is a multi-purpose designer with a broad range of skill-sets.

He loves being a part of any creative activity — whether it’s mapping out a user experience, getting his hands dirty with some copy or even re-building bits of his motorbike.

A born people-person, Reiss is never happier when showcasing ideas from his vividly wild imagination and working with clients to see them through to completion. Once an architect, he has a keen eye for conceptual ideas and never tires of learning new things.>

08
Oct

Great Brands Sell Ideas First…

Whatever line of business you’re in, people don’t buy what you do they buy why you do it.

I got a very useful reminder of that this week when helping some early-stage entrepreneurs. They had a great software solution and were looking for ways to generate more leads from their existing website.

Having initially bored them with some worthy but rather uninspiring solutions (contact forms with less fields,) it dawned on me that to really make a significant gain, to really make a dent with what they were doing, that the site itself had to sell the higher nature of what they were offering.

In this case – a tailored solution for a specific user-group, up-to-date programme with current legislations and exceptional value.

What a difference this simple shift in communication had. It never ceases to amaze me how effective a new home-page image, tag-line and corresponding graphics can be to a potential client.

What’s more the exercise of implementing these ideas is fun and energises everybody in the organisation itself.

In Napoleon Hill’s classic ‘Think and Grow Rich’ the author states that “All master salesmen know that ideas can be sold where merchandise cannot. Ordinary salesmen do not know this – that is why they are ordinary.”

Successful companies know this too – Coca Cola sells the hit of instant refreshment not carbonated soft-drinks, Sky TV sells the cutting-edge of in-house entertainment not just TV packages and great politicians sell the vision of a brighter tomorrow not specific plans and policies.

If you’re selling professional services – sell the friendliness of the service. Selling gym memberships – sell the intensity of the exercise. Even if you’re selling double-glazing, sell the strength and protection of the final product first not the properties of the glass.

Logical information only confirms decisions we’ve already got our hearts set on. But the heart’s got to be set on something in the first place.

If you want a brand that is going to generate a lot of new business – sell the idea first. If you want a hand then give us a shout.

Benedetto

BB

Benedetto is an ideas-driven Creative Entrepreneur. He is on a mission to unleash the power of creativity to create a better world – for people, business and society. He is the founder of the loft, a design and branding house which operates worldwide helping companies bring their brands to life in the most imaginative and effective ways possible. A real man on a mission. Benedetto likes to make things happen fast and in a big way.

06
Oct

Clients: A How-To Guide (Part 3: Meetings)

Clients How To Guide

What’s more important than the precious moments you get to spend with your client, one-on-one, excitedly discussing the direction of the project? You guessed it — nothing (apart from the boss’s birthday).

Fast-paced and full of ideas; your meetings should aim to clarify with clients and gather crucial information.

Here are some top tips for hosting a top meeting…

  • Timing is Key  No one likes to be late to a meeting, let alone turn up on a wrong day! Be very clear with your clients when deciding on a meeting time/place, no more awkward moments of confusion. If you can scope out what your client is looking to achieve in the meeting as well — even better!
  • Ideas, Not Problems — Extra brownie points for those who can sketch on the spot. Transferring the client’s words to paper in a visual form is a fantastic way to get the client excited about the project and gain their trust.
  • Small Ideas Sheet = Big Success — By creating a small ideas sheet and taking it to potential clients it shows that you are prepared and know what you are talking about. Having already thought out the client’s ideas and solving problems beforehand lets the client know that we’re serious about their business and are already invested in what they do. These sheets should be loose, giving the presenter a point of reference, maybe some initial sketches; essentially a conversation starter.

In conclusion; meetings should be your best friend! A brilliant time to get some juicy information from your clients, maybe even a bit of gossip if you’re lucky. Next week we’ll have a look at communications; the connection with your clients that keep you on the right path.

Reiss, Designer & Director of Client Happiness.

staff_170502_0542

Reiss is a multi-purpose designer with a broad range of skill-sets.

He loves being a part of any creative activity — whether it’s mapping out a user experience, getting his hands dirty with some copy or even re-building bits of his motorbike.

A born people-person, Reiss is never happier when showcasing ideas from his vividly wild imagination and working with clients to see them through to completion. Once an architect, he has a keen eye for conceptual ideas and never tires of learning new things.

29
Sep

Clients: A How-To Guide (Part 2: Presentations)

Clients How To Guide

 

We shall start our clients journey with presentations — something that can turn even the most confident designer into a shrivelling, sweaty mess.

But do not fret, there are ways to bypass the instinctive flight option.

Here are some top tips to holding a killer presentation…

  • Practise Consistency — No two presentations are the same, but that doesn’t mean you can’t keep them consistent.
  • Preparation Is Key — We use different layouts for different stages of presentations. Winning a pitch is, of course, important to us, so being prepared is a key part of that. Concept presentations should be slightly more refined, clearly outlining our thought process behind each concept in a concise manner. If the wording is too long, the concept isn’t strong enough to be explained in a couple of sentences. These presentations include initial sketches, maybe some illustrator mock ups and strong reference material.
  • Know Your Audience — If you are designing for someone with particular taste, you should tailor the entire process to their mindset, including presentations. Some clients are decision makers and like to have the important stuff bullet pointed. Others like to get into the detail; design accordingly.
  • Final Presentations — These should be much more honed in on a specific idea, showing slight variations on the chosen concept. Again, make these changes as clear as possible so that the client’s job of choosing one is made simpler. We want the entire process to be as easy as possible for the client, in turn making it easier for the team.

Next week we will be having a look at meetings (actually talking to someone face-to-face, imagine that?!).

Reiss, Designer & Director of Client Happiness.

staff_170502_0542

Reiss is a multi-purpose designer with a broad range of skill-sets.

He loves being a part of any creative activity — whether it’s mapping out a user experience, getting his hands dirty with some copy or even re-building bits of his motorbike.

A born people-person, Reiss is never happier when showcasing ideas from his vividly wild imagination and working with clients to see them through to completion. Once an architect, he has a keen eye for conceptual ideas and never tires of learning new things.

20
Sep

Clients: A How-To Guide (Part 1: Intro)

Clients How To Guide

Clients are at the heart of every project we create — an integral slice of the delicious design pie. So understanding them is massively important, especially when it makes both parties lives a lot easier.

Throughout my time working in a design studio, I have picked up some handy tips that I feel will help designers of any level. It’s super simple stuff, but it can be easy to forget. I give you, ‘Clients: A How-To Guide’.

I will be delivering this guide each week, focusing on different topics, including:

The topics will delve deeper into some personal anecdotes and opinions I have on the matters. I look forward to seeing you next week.

Reiss, Designer & Director of Client Happiness (yes, that’s an official title).

staff_170502_0542

Reiss is a multi-purpose designer with a broad range of skill-sets.

He loves being a part of any creative activity — whether it’s mapping out a user experience, getting his hands dirty with some copy or even re-building bits of his motorbike.

A born people-person, Reiss is never happier when showcasing ideas from his vividly wild imagination and working with clients to see them through to completion. Once an architect, he has a keen eye for conceptual ideas and never tires of learning new things.

20
Sep

Top 5 Frequently Asked Client Question’s

At the loft, we love welcoming clients into our design world. With that in mind, this week I thought I’d take some time to focus on some of the most frequently asked client questions — giving you an initial insight into our world.

What is graphic design?
Technically, it’s the art or skill of combining text and pictures in advertisements, magazines or books. We see graphic design slightly differently. We see it as a way of effectively communicating your message to your target audience, finding the perfect balance between function and aesthetics. We see it as bringing ideas to life.

Why use a design studio in the first place?
Simply put, we make the whole process easier. From finding the most effective way to communicate your message to saving you time and money in the long run, creating finished pieces that are focused on the target audience, formatted correctly and ready to go to print or be used digitally.

How much will my design cost?
Costs can completely vary depending on the project. Unfortunately, there is no ‘one price fits all’ answer to this question. Typically, a branding project can cost anything from less than £1,000 (freelancer) to over £15,000 (large design studio) and anywhere in between. How much you spend on your project depends on a number of variables, most importantly being the longevity of the design. If you are a smaller start up company who is unsure of how your company will progress over the next year, it might be more cost effective to start with a freelancer or smaller design studio. To discuss a project and get a better idea of our costings, please don’t hesitate to get in touch.

How long will it take to complete my design work?
Again, this varies dependant on the project. We tackle anything from small one-day projects to bigger, year-long projects. For example, a website can take anything from a couple of weeks to a full six-month project, dependant on its variables. However, no matter the size of a project, we always complete our full design process — from gesture sketches to concept creation to development of the final outcomes and everything else in between. If you have a deadline you need to meet, we are more than happy to accommodate that.

What services do the loft offer?
We offer a range of services, each of which we love getting involved with. We offer graphic design, web design, brochure design, identity design, infographics, art direction, brand love (creating a brand that not only you love, but one that your team and customers will love too), video, packaging, complex 2 simple (creating solutions that help a company prepare their new products and services for the market) , campaigns and vision, mission and values. You can find out more about our full range of services here.

Laura, Designer & Director of Noise

Laura

 

Miss Noisy! The team’s very own socialite and one who masters every situation she finds herself. Laura is the lady for every occasion. She has a formidable array of skills as a creative, diplomat, agony aunt, blogger, Tweeter, art-director, team player and our own favourite — noisemaker. A more perfect dinner companion, you will be hard-pressed to find.

 

19
Sep

Everything You Need – for Brochure Design Projects

Whether it is creating a cool cover, selecting the paper samples or agonising over the print techniques, brochure design projects tend to be one of those things that a creative enjoys doing the most. When clients approach us with their briefs for brochure projects – there tend to be a lot of unanswered questions regarding things like structure, content and printing. We’ve put this handy wee guide together to help answer some of these questions.

1. What would you like to achieve with your new brochure?
Before we get to creative questions, this is a big one. What’s your new brochure actually for?

Could it be any of the following.

– Introduce the company to new customers?
– Introduce a new product or service to market?
– Highlight the value of that particular product, service or maybe even a process?
– Something more objective – generate more leads/sales?
– Anything else?

Any info on the above really helps us, or another creative company, understand your goals for the project.

2. Tell us about the company/product/service?
Depending on what you’re hoping to achieve, it’s important to also know about the company/product/service being represented. It can be anything from what does the company do? What is the product going to be known for in the marketplace? Or any other info which helps us to better understand what we’re bringing to life?

3 Who’s the target audience?
At the loft, we want to ensure that the right messages are presented to the right people in the right way. Some people prefer to read things that are short and sweet, some prefer friendly pictures and others enjoy poring over technical information. The more you can tell us about the intended audience, the more we can design a brochure that fits.

Can you tell us, is your audience.

– Young/Old?
– Male/Female?
– Fun/Serious?
– Take their time/Don’t have time to waste?
– Anything else we need to know that we haven’t mentioned?

Of course, if you want to engage with all of these types of people that is fine – we can design that in too.

4. What about the Basics?
Now, we need to know a little about the brochure itself.

Can you tell us any of the following.

– Landscape or portrait?
– Number of pages?
– What goes on each page – images/words/graphics/ information tables/ other?
– Any legibility issues to design-in?

Any of the above which helps to fill in the gaps to what kind of brochure you’re looking for is helpful.

5. Do you have content?
Graphics, text, photographs – you’re brochure is likely to contain all three.

What do you have, what do you need and what can we help with.

– Available photography/stock photography you like?
– Any infographics or other graphics?
– Information tables?
– Anything we may have missed?

6. How about written copy?
One of the most important things about any brochure is finding great words that bring it to life. Do you have copy or would you like us or another to help?

Let us know. 

– What you have?
– What you need?

We can help with the rest.

7. What would you like to do with printing?
Once all the hard work is done – you are going to have to print your lovely new brochure. There are a tonne of different options with paper and print techniques.

What we’d like to know…

– Do you prefer to work with a specific printer?
– How many examples will you need?
– Any favoured print samples/techniques?
– Any special  requirements for the covers?
– Anything we may have missed?

As always, if you have questions, let us know? We’re all print nuts in the studio and love to help clients with their print requirements, so don’t be shy.

8. Do you have brand guidelines?
It wouldn’t be a loft post if we didn’t mention brand guidelines. In the nicest way possible – if you have them, we want them.

9. What are the key deadlines?
Getting to the nitty-gritty, how long do we have? As with all creative projects, we are guessing you’ll have a big deadline and clear completion date. Thinking beyond the big one for a minute – are there any smaller milestones?

These may include.

– Press releases
– Board meetings
– Product launches
– Internal presentations
– Digital campaigns

If you have other stuff going on, let us know? Most brochure projects involve creating content, if we have this ready, we can make it available for you before the project is finished. Great for mini-campaigns, website updates, etc.

10. Budget?
Knowing a budget to work towards allows us to best decide on resources and plan effectively.

The following is helpful to kick-off with.

– Minimum-to-maximum budgets for the project?
– Any specific content budgets for printing/photography/copy/other?

If you are looking to maximise your creative budget, check out the following guide >>>

And that’s a wrap.

Whether you have everything on the list or not, don’t worry, we can help fill in the gaps. Thanks for reading and don’t hesitate to contact us if you have any questions.

BB

Benedetto is an ideas-driven Creative Entrepreneur. He is on a mission to unleash the power of creativity to create a better world – for people, business and society. He is the founder of the loft, a design and branding house which operates worldwide helping companies bring their brands to life in the most imaginative and effective ways possible. A real man on a mission. Benedetto likes to make things happen and happen fast and in a big way. He wants things done yesterday and is relentlessly driven in his quest to make tomorrow better than today for his company, the people he serves and the wider community.